Press Restoration Update: Reassembling the Platen

The platen portion of the Kelsey Letterpress is made up of two main castings, the platen and the platen back. These two pieces are held together with a very strong spring held in place by a dowel. The screws on the platen back are not for holding the pieces together, but rather for adjusting the impression pressure.

BEFORE:

When I first removed the dowel platen back, the dowel holding the spring in place was deformed and the impression screws had been stuck in place by the bad spray painting job.

As with all the press parts, I sandblasted the paint off and primed and repainted both the platen and the platen back. The original impression screws were old round headed “stove bolts,” covered in spray-paint and rather beat up. So we decided to replace them (and the nuts). We went with stainless steel socket head cap screws. The advantage to this type of screw head is that it holds the hex key captive and allows for a more precise adjustment for the impression screw. We chose stainless steel both for its durability and because it matched the stainless steel rod we got to replace the original dowels holding the press parts together.

(we also replaced the nuts with new stainless steel ones and added washers between the nut and the casting to avoid wear on the contact point.)

Getting new screws was easy, but figuring out how to re-compress the spring AND re-insert the dowel was more complicated. Luckily Doug has access to a machine shop and scrap aluminum. He managed to create a little spring compression jig to hold the screw in place while inserting the dowel:

He drilled a hole in a chunk of aluminum that was just wider than the spring holder/guide on the platen. He then cut two grooves into the jig (wider than the hole for the dowel pin). We then put the jig into use with the Arbor press:

An arbor press is a small hand operated press that is typically used for punches, inserting rivets, and things like that. In this case, we used the strength of the arbor press to compress the spring. We fit the platen and platen back together, put the spring over the spring holder/guide, and topped it off with Doug’s new aluminum spring jig.

The arbor press compressed the spring easily, and the grooves that Doug cut were just deep enough to expose the hole for the dowel pin.

The dowel slipped in nicely and when the pressure was removed the spring was in place and perfectly tensioned. I should probably mention that I used the original spring. I just removed all the old paint, cleaned it up, and rubbed some paste wax on it to protect it and minimize rust.

The final assembly came together very nicely! The shiny new hardware looks great against the new black paint job.

Coming soon, the final assembly of the whole press!

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Turkey Day & Holiday SALE!

For this very special holiday season, I am offering a Turkey Day & Holiday Sale! From Black Friday (Nov. 25) until December 18th, get 10% off everything in my Etsy Store! Just enter coupon code HOLIDAY2011 at checkout!

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Restoration Update: Painted Lettering

Last week was a detail-oriented week for the Kelsey press. Once the black paint had dried, I went over all the raised lettering with a tiny brush and silver paint. I used the same kind of paint as I did on the rest of the press.

I chose silver because I really wanted the letters to pop out and match the new steel bar stock we are going to put the press back together with. This paint layer seems to be drying MUCH more quickly, so I should start getting the press back together soon!

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New Print in Etsy Store!

“Don’t Play Koi with Me!” is now for sale in my Etsy Store!

Check out the listing for lots of pictures, a full description and to purchase this wonderful print!

http://www.etsy.com/listing/86472571/tattooed-woman-nude-koi-cherry-blossom

Makes a great gift for the Holidays!

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Freshly Printed- Tattooed Woman

Last week I successfully printed my tattooed woman block! To be entitled “Don’t Play Koi with Me!” this print celebrates both the human figure and the art of tattooing.

The human form is an enduring theme in art. To study, and to understand the human form, students often draw from live models. For the viewer, an artistically posed nude is a familiar, and pleasing, sight. And yet, a glimpse of a tattoo underneath a sleeve still conjures up negative connotations. My goal for this design was to show the artistic nature of tattooing through a traditional “art school” pose.

The design of the tattoo itself represents strength, courage, and the ability to overcome life’s challenges. The Koi fish is one of the most popular Japanese tattoo symbols. An ancient legend tells that if a koi fish successfully swam up the waterfalls of the Yellow River to the Dragon Gate, it would magically transform into a dragon. Thus the koi symbolizes courage and perseverance. Joining the koi are a waterlily (or lotus) and cherry blossoms. The cherry blossoms remind the viewer of the fragility of life, while the waterlily offers the possibility of reformation and rebirth.

I’ll be adding this print to my Etsy store soon, so stay tuned!

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Go Minimal!

Mac & Cheese made it into a new treasury this weekend! Etsy’s Bozena Wojtaszek from BozenaWojtaszek featured my print in a treasury celebrating minimalist art.

Thanks again to Bozena!

Click on the picture to go to the treasury and check out the other wonderful artists!

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Artist Feature: Rachel Brand’s Architecture Inspired Scarves

Today I would like to share with you a wonderful Portland-based artist and Etsy seller! As you know I am always a fan of artists who draw on art history for their inspiration. I was lucky enough to come across this one in between printing and obsessively checking my Etsy shop stats. And to add a cherry on top, she is from Portland!

Rachel Brand of WaningGibbousStudio sells hand-painted scarves inspired by architecture and architectural patterns.

Rachel has a Masters degree in Architecture and a career in architecture/interior design. Her inspiration comes from ancient ruins, traditional tile patterns, textiles, and many other architectural components that she has been exposed to through school and work. She translates her inspirations into silk paintings. Rachel describes her use of the medium:

I love making things myself and wanted to find a way to reproduce some of the beautiful motifs I have seen. I took a silk painting class and realized that it would be a good medium for my urges.

She produces her scarves by using a traditional resist painting technique. First she applies a “resist,” which forms a barrier that stops the flow of the dye. She then painstakingly applies a dye into the interstices to form the pattern.

You can see her whole process in this video:

My favorite piece of Rachel’s is the Machu Picchu scarf shown in the video. I absolutely love the idea of wearing an archeological site! Plus, from afar, it really just looks like a lovely pattern. Only you (and whoever you let in on the secret) will know what it really shows.

Rachel also has another store on Etsy, NouvelleLuneStudios, where she sells hand painted baby mobiles. Very Cute! I think her bridge mobile is particularly appealing for Portlandians:

Many thanks to Rachel for her lovely work! I do hope you will go and check out her other products!

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Tattooed Woman, carving in process

My latest print features a woman with an (almost) full back tattoo. I just finished carving the block, but I wanted to give you a taste before I print it! Stay tuned for more photos and the final print!

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Nouveau Peacock…At Last!

The latest addition to my store has finally arrived!

Anyone who has been reading this blog for a while might remember my posting about a peacock print I was working on back in 2009. I finished carving the block in 2010 or so, but I just never got around to printing it. I don’t really have a reason for not doing so, rather, it just slipped through the cracks. In any event, this print is called “Nouveau Peacock.” It was inspired by the Art Nouveau and Japonism movements.

For background, Japonism was a popular art movement among Impressionists and other artists working during the 1880′s-1905. In 1890 the École des Beaux-Arts featured a survey exhibition on the history of Japanese woodblock prints.* Many artists, including Pierre Bonnard (1867-1947), Henri de Toulouse-Lautrec (1864-1901), and James Abbott McNeill Whistler (1834-1903), were profoundly inspired by these prints and began to incorporate elements of East Asian art into their works. This trend proliferated and continues today.

The cherry blossom tree in the background of this piece pays homage to the Japonism movement. The print’s border is based off a Pencraft Ornamental Border design that I discovered in a 1925 Type Specimen Book. The rest of the image was designed around the border. The peacock is stylized, stressing flowing, curvilinear lines.

To see my earlier post about this print, click here.

This print is now available for purchase in my Etsy Store!

Click the link below to buy this print and/or see other available prints

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*Source: Elizabeth Hutton Turner, et al., Pierre Bonnard, Early and Late, (Washington D.C.: Philip Wilson Publishers in collaboration with The Philips Collection, 2002), 190.

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Porcuprints Now Shipping to Canada!

Living so close to Canada, it seems strange that I have not figured out a means of shipping prints to our friendly neighbors. So, at long last, I can say…

PORCUPRINTS IS NOW OFFERING SHIPPING TO CANADA!

Stop by my Etsy shop for all your holiday gifting needs!

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